From our pre­sent, com­pletely ful­filled stand­point in the ab­so­lu­te mu­si­cal force-field of the har­mony, we are com­pletely in­dif­fer­ent in a natu­ral man­ner to the rela­tive, lim­ited proc­ess of gain­ing knowl­edge in mu­sic.
We have left this lim­ited field of mu­si­cal knowl­edge be­hind, and we are in the field of to­tal mu­si­cal ful­fil­ment.

What else would we want to do with the rela­tive mu­si­cal world? Why should we still want to aim at a rela­tive mu­si­cal crea­tive proc­ess? More we can­not achieve than what we have al­ready achieved here in the har­mony, at the summit of all mu­si­cal life.