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Knowing the Unreality
of the Outer Musical Happening

The Creative Music Listener as a Free Music Creator

But now that we have arrived at the field of creative music listening
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

and, as free music creators,
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

look out from the realm of the harmony
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7, 8, 15
5, 10, 17
4, 11, 18
6, 9, 16
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

to the relative musical worlds of the sequences
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

and motifs,
5. 6, 7, 10. 18, 19, 17. 30, 31

and also see the tones
4. 4, 5, 11. 20, 21, 18. 32, 33

at the horizon of the outer art of music,
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

then suddenly the same sequences,
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

which we had thought so real before, and more so the motifs
5. 6, 7, 10. 18, 19, 17. 30, 31

and particularly the tones,
4. 4, 5, 11. 20, 21, 18. 32, 33

now appear rather unreal and completely insignificant compared with our total musical experience in the unlimited field of the absolute Now, in the immeasurable musical force-field of the pure harmony.
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7, 8, 15
5, 10, 17
4, 11, 18
6, 9, 16
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28