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The Subjective Sphere

However, this outer world of thinking is limited in space and time whereas that, which lies at its basis and generates it, is located beyond space and time and constitutes the subjective, the creative sphere of music.

If this inner, subjective sphere

5. 7, 8, 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 17, 18, 15. 25,
16. 26, 27, 17. 28, 29, 30

is not the conscious, natural basis of the composer’s musical thinking,
1.-3. 2, 3, 11. 21, 12.-14. 22, 23, 18. 33, 19.-21. 34, 35

the musician himself as well as his listener will be barred from the enlivening, rejuvenating effect of music, from the immortal nectar of the divine creative spark,
7, 8, 15
5, 10, 17
4, 11, 18
6, 9, 16

and through their sense of hearing
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

they will experience only the outer product: the world of the objective, the world of the powerless, the mortal aspect of music – its body.
4. 4, 5, 11. 20, 21, 18. 32, 33
1.-3. 1, 12.-14. 24, 19.-21. 36