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The Play of Motifs

Also we notice that, as it unfolds in the melody, the musical motif
5. 6, 7, 10. 18, 19, 17. 30, 31

not only rules those tones that directly surround it –
4. 4, 5, 11. 20, 21, 18. 32, 33

that it is not concerned with its own body alone; but we realize that the motif also plays with the tones of other motifs.
Indeed, eventually we even discover a direct individual interplay between the motifs themselves.
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31