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Rules of Social Evolution in Music
The sequence-technique
5.
9,
6.
10,
10.
16,
17,
17.
28,
29
5.
7,
8,
6.
11,
7.
12,
8.
13,
9.
14,
10.
17,
18,
15.
25,
16.
26,
17.
29,
30
4,
11,
18
under the auspices of the harmony laws of the microcosm of music, or of the Creator or of Almighty Nature respectively,
4,
6-9,
11,
15-21
6.
10,
11,
9.
14,
15,
16.
26,
27
describes
5.
7,
8,
6.
11,
7.
12,
8.
13,
9.
14,
10.
17,
18,
15.
25,
16.
26,
17.
29,
30
7.
12,
8.
13,
15.
25
4,
6-9,
11,
15-21
6.
11,
7.
12,
8.
13,
9.
14,
15.
25,
16.
26
5.
9,
6.
10,
11,
7.
12,
8.
13,
9.
14,
15,
10.
16,
15.
25,
16.
26,
27,
17.
28
1.-3.
3,
11.
21,
12.-14.
22,
18.
33,
19.
34
1.-3.
2,
3,
12.-14.
22,
23,
19.-21.
34,
35
6.
10,
11,
9.
14,
15,
16.
26,
27
5.
9,
6.
10,
10.
16,
17,
17.
28,
29
5.
6,
7,
10.
18,
19,
17.
30,
31
the rules to which the individual parts behave as they unfold towards wholeness; the sequence-technique
5.
9,
6.
10,
10.
16,
17,
17.
28,
29
5.
7,
8,
6.
11,
7.
12,
8.
13,
9.
14,
10.
17,
18,
15.
25,
16.
26,
17.
29,
30
4,
11,
18
describes the natural relation of the individual
5.
6,
7,
10.
18,
19,
17.
30,
31
to the social community.
5.
9,
6.
10,
10.
16,
17,
17.
28,
29
By virtue of it, the great classical composers trace out in their compositions universal patterns of perfect individual behavior in the community of men.
5.
7,
8,
6.
11,
7.
12,
8.
13,
9.
14,
10.
17,
18,
15.
25,
16.
26,
17.
29,
30
7.
12,
8.
13,
15.
25
4,
6-9,
11,
15-21
6.
11,
7.
12,
8.
13,
9.
14,
15.
25,
16.
26
5.
9,
6.
10,
11,
7.
12,
8.
13,
9.
14,
15,
10.
16,
15.
25,
16.
26,
27,
17.
28
1.-3.
3,
11.
21,
12.-14.
22,
18.
33,
19.
34
1.-3.
2,
3,
12.-14.
22,
23,
19.-21.
34,
35
6.
10,
11,
9.
14,
15,
16.
26,
27
5.
9,
6.
10,
10.
16,
17,
17.
28,
29
5.
6,
7,
10.
18,
19,
17.
30,
31